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Art, Literature & Knowledge Affair
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Manifestations of nature are reflected by human consciousness in several forms. These can include beauty, melody, rhythm, contentment, aesthetics, and several more. Imaginative lines, colors, sculptures, poetry, music, and other forms of art, represent ideal form of natural and social manifestations.
Ancient Middle Eastern civilizations determined the phases of people’s participation in political, economic, and cultural engagements. Here the subjects of the art prevailed objectively in the latent-form of aesthetic social-state.
Simultaneously, the ideal sublevel of culture patented tosubject the latent state of art, assigned the ancient knowledge societies to demark the syntax less form of serene communication between nature, and human society.
This was the aesthetic human approach to relate nature and human society. It was then only that art became divine and vice versa. We need to know and produce more knowledge about the ignored aspects of the art and literature in the Middle East, in relation to the knowledge system.
Art is independent of its representation through lexical formulation or syntactical structurization, however, it depicts itself through multiple aesthetic approaches. It does this through music, dance, painting, sculpting and to some extent by the art of poetry.
Art reflects social-content which is represented in different art-forms. Art represents itself by the form of subject of the object of thought which exists in society and is reflected as the content of art. In particular, the social subjectivity of art is associated with society since art is created by society in the form of subject. Its universality turns back to society in terms of the social objectivity of the subject of art.
Character of art and literature lie in the universality of its content and in the particularity of form which encompasses need of the production and the consumption of art at the base of society. In general, art and literature remain related with society and knowledge system.
Subject-form of art is self-motioned. It is controlled by human consciousness which reflects nonself motioned aspect of art by the content, which is assigned to the subject of art by the society. Such conjugations correlate art and literature with knowledge and other dimensions of society.
Here, the object of art is ensued by aesthetic representation. Simply speaking, the complex relation of art, knowledge and society makes it logical to the social confines within spatial social impact.
Art and literature, being impartial to acknowledge one sided subjective representation and ignorant to their objective counterpart, may fail to reflect social realities. This makes them loose artistic-literal authority. The various forms of art like painting, dance, music, amusements, and sports etc. have evolved long ago. Since the emergence of early homo-societies, their transformation into cultural dimension has been fluxed with the emergence of civilization.
The subjects of art and literature in the ancient middle east was incredibly pragmatic and close to the realities of life, knowledge, and society. KBS is determined to elaborate how ancient societies laid down the sublevel of art and literature, submerged into the systemic level of culture. This is how they put the foundations of knowledge art and knowledge literature in ancient knowledge societies.